The mini-adventure didn't happen - medical matters intervened. Never mind; old age teaches us to be philosophical.
Less easy to be philosophical about Alzheimer-stricken brother Nick (the best dressed one in the centre). At his "home" I presented him with a pot plant - a strange, unbrotherly thing to do. I emphasised how his yacht Takista had invigorated my latter years. Mentioned sailing north at night with the Cote d'Aquitaine to starboard. As I spoke I saw flashes of recognition, then shared his suffering as he tried to dredge up responses from a mind shot to hell by disease. As if we were alone on an alien and uncongenial planet.
Sir Hugh and I drove away looking for lunch in the Yorkshire Dales. Came upon the village of Leyburn, where the centre was devoted to a heaving mass of shiny car roofs. Two hundred beetle carapaces? Drove on, depressed.
Back at Sir Hugh's house I drank gin, wine and Scotch knowing there'd be a price to pay. Somehow Proust cropped up in talk; Sir Hugh has read A La Recherche (he has the necessary doggedness) and told me he enjoyed it. This cheered me.
Spent the following afternoon with Ron and Frances at their house in the tiny Lakes village of Mungrisdale. Ron and I started out on the same Bradford newspapers at the same time. He went on to write about Everest attempts, yachting, rock climbing, sub-aqua stuff and choral singing, travelling the world betimes. Frances has an honours degree in music from the Open University. Time after time I was conversationally outgunned. Parked outside was Ron's 600 cc metallic red Honda but happily there was no spare crash helmet. Instead I played the first line of God Save The Queen on Frances's harpsichord.
Driving home today I managed to transfer from the M6 motorway to the M5 motoway without being mired in a traffic jam. Almost a miracle.
● Lady Percy moves me - might she move you? CLICK TO FIND OUT
● Plus my novels, stories, verse, vulgar interests, apologies, and singing.
● Most posts are 300 words. I respond to all comments/re-comments.
● See Tone Deaf in New blogger.
● Plus my novels, stories, verse, vulgar interests, apologies, and singing.
● Most posts are 300 words. I respond to all comments/re-comments.
● See Tone Deaf in New blogger.
Thursday, 21 August 2014
Wednesday, 13 August 2014
Think of it as 10 cubed
A thousand posts – so what? Were any of them worth reading? That's what matters. Take this one, for instance.A thousand pounds a year. In the sixties it was my definition of success. Now it's four months' wine bill.
Hymn
A thousand ages in thy sight
Are like an evening gone
Short as the watch that ends the night
Before the rising sun.
Verse from Oh God Our Help In Ages Past
Hundreds and thousands. Multi-coloured granules for decorating sticky buns. To please the eye rather than the palate. A confectionery fraud.
M. A fairly simple Roman date.
Fahsen'. Cockney utters unimaginably huge figure.
1000 AD. Birth of Adalbert, Duke of Lorraine. To be safe, add "circa".
Grand. Useful addition to the world's vocabulary, courtesy the USA.
K. Slightly less useful addition, courtesy the metric system fans.
1000 cc. A large motorbike engine.
Thousand years. Gives rise to a word many find hard to spell.
Thousand (etym.). OE - püsend, Proto-German - püsundi, plus many more, all equally boring.
Twenty-thousand Leagues Under The Sea. Brownie points if you've read it.
Thousand Foot Krutch. Canadian rock band famous for The End Is Where We Begin. Famous?
Mahler. Symphony No 8. Also known as: Symphony For A XXXXXXXX (Fill in the last word yourself)
A thousand times a thousand times a thousand. The present-day billion debased by the USA. Previously, courtesy the UK, it had twelve zeroes.
** I'm off on a teeny-tiny adventure. I'd be inclined to wish you all the peace of God that passeth all understanding. If it didn't sound uncomfortably like permanent oblivion.
Monday, 11 August 2014
Cruel to be kind? No, just cruel
I have known cruel teachers but Anne G. was the cruellest. She was also the most effective. She had a secret weapon and used it relentlessly - sex.
In a suicidal gesture - albeit in happier economic times - my employer allowed me two mornings off a week to learn French. For well over a year. Very quickly I was joined by Joe plus a whole lot of sales layabouts.
Willowy Anne G., our teacher, was not only cruel but capricious. She took exception to one journalist student, possibly because of his rather prominent facial birthmark. She sneered at his incompetence, marked down his work savagely, and eventually insisted he moved to another teacher.
We, her toadies, were more or less immune. But then our Sunday afternoons at home were devoted to more and more elaborate devoirs, using more and more advanced literary conceits, the aim being to make her laugh. When this happened it was as if she had transformed herself into that woman in the classical painting - you know, the one emerging more or less naked from a scallop shell. Bliss.
But when we got things wrong, her green eyes became slitlike, her mouth a rat-trap, her condemnation piercing. The words arriving like arrows at Agincourt.
Not to put too fine a point on it, I progressed. The alternative was unthinkable. I often wondered if she'd been able to teach chemistry.
PIECE O’ PROUST
… in that little room with the high ceiling, hollowed in the form of a pyramid out of two separate storeys, and partly walled with mahogany, in which from the first moment my mind was drugged by the unfamiliar scent of flowering grasses, convinced of the hostility of the violet curtains and of the insolent indifference of the clock…
In a suicidal gesture - albeit in happier economic times - my employer allowed me two mornings off a week to learn French. For well over a year. Very quickly I was joined by Joe plus a whole lot of sales layabouts.
Willowy Anne G., our teacher, was not only cruel but capricious. She took exception to one journalist student, possibly because of his rather prominent facial birthmark. She sneered at his incompetence, marked down his work savagely, and eventually insisted he moved to another teacher.
We, her toadies, were more or less immune. But then our Sunday afternoons at home were devoted to more and more elaborate devoirs, using more and more advanced literary conceits, the aim being to make her laugh. When this happened it was as if she had transformed herself into that woman in the classical painting - you know, the one emerging more or less naked from a scallop shell. Bliss.
But when we got things wrong, her green eyes became slitlike, her mouth a rat-trap, her condemnation piercing. The words arriving like arrows at Agincourt.
Not to put too fine a point on it, I progressed. The alternative was unthinkable. I often wondered if she'd been able to teach chemistry.
PIECE O’ PROUST
… in that little room with the high ceiling, hollowed in the form of a pyramid out of two separate storeys, and partly walled with mahogany, in which from the first moment my mind was drugged by the unfamiliar scent of flowering grasses, convinced of the hostility of the violet curtains and of the insolent indifference of the clock…
Sunday, 10 August 2014
Speed. O jest unseen
By manufacturers' agreement, production motorbikes are limited to 300 kpm (186 mph). My licence allows me to ride one.
I last rode a bike in 1974. A Velocette similar to that shown though dirtier, the surface was a tarmac footpath less than 1 m wide and it had just rained.
At 20 mph I arrived at a gentle curve, knew I wouldn't make it, trundled on to the adjacent grass, re-assumed the path and rode on.
I didn't know then this would be my last ride; now I do. It's pathetic but I'd like one more go. On a winding Hereford road then a motorway, latterly 80 - 90 mph. Silly old fool, you say.
Motorbikes are unique. You've more power than you need, you're among the elements, you change gear in milliseconds, you incline yourself and the bike to get round corners. It feels safer than it looks. It's noisy and anti-social and it helps explain why some people behave noisily and anti-socially.
I wrote a sonnet. Rubbish except, possibly, for the last line:
Seeing the corner’s coming trajectory.
JOE'S NUDGE
I saw the sunlit vale, and the pastoral fairy-tale;
The sweet and bitter scent of the may drifted by;
And never have I seen such a bright bewildering green,
But it looked like a lie,
Like a kindly meant lie.
Reasons why: Not much verbal beauty here. Both “sunlit” and “vale” tend to exist mainly in verses. Can you see a fairy-tale? The contradiction of “sweet and bitter” is an improvement and I like “bewildering”. But poems needn’t be beautiful if they grab you. And I for one need a resolution for those last two lines.
NOTE: Last line had typo: "line" instead of "lie". Now corrected.
Edmund Blunden (b. 1896)
I last rode a bike in 1974. A Velocette similar to that shown though dirtier, the surface was a tarmac footpath less than 1 m wide and it had just rained.
At 20 mph I arrived at a gentle curve, knew I wouldn't make it, trundled on to the adjacent grass, re-assumed the path and rode on.
I didn't know then this would be my last ride; now I do. It's pathetic but I'd like one more go. On a winding Hereford road then a motorway, latterly 80 - 90 mph. Silly old fool, you say.
Motorbikes are unique. You've more power than you need, you're among the elements, you change gear in milliseconds, you incline yourself and the bike to get round corners. It feels safer than it looks. It's noisy and anti-social and it helps explain why some people behave noisily and anti-socially.
I wrote a sonnet. Rubbish except, possibly, for the last line:
Seeing the corner’s coming trajectory.
JOE'S NUDGE
I saw the sunlit vale, and the pastoral fairy-tale;
The sweet and bitter scent of the may drifted by;
And never have I seen such a bright bewildering green,
But it looked like a lie,
Like a kindly meant lie.
Reasons why: Not much verbal beauty here. Both “sunlit” and “vale” tend to exist mainly in verses. Can you see a fairy-tale? The contradiction of “sweet and bitter” is an improvement and I like “bewildering”. But poems needn’t be beautiful if they grab you. And I for one need a resolution for those last two lines.
NOTE: Last line had typo: "line" instead of "lie". Now corrected.
Edmund Blunden (b. 1896)
Thursday, 7 August 2014
Got it? Flaunt it!
Luxury is several things:
● Ease/comfort based on habitual or liberal use of expensive items without regard to cost.
● Something desirable but costly or difficult to obtain.
● Something relatively expensive adding to pleasure or comfort but not indispensable.
Do I do luxury? Ignoring wine as too complex, the answer must be no. I once bought a Savile Row suit but only to dazzle potential US employers at job interviews. Several shirts were excessive but were needed for special events - notably weddings.
My Longines wristwatch cost lots but was a gift. Dictionaries? - they're big but I flatter myself I need big. Dover sole costs much more then cod but it's better; in any case it's a rarish treat.
Only my shaving bowl refills are luxurious. A tenner, they cost three times more than the competition and come from Geo F. Trumper in swanky Curzon Street, London, who once cut James Bond's hair. When they lasted a year they were almost a bargain. Now only six months.
Trumper is "for the discerning" and issues instructions: "Only shave after a bath or shower; prepare the skin with Trumper’s skin food.”
Why Trumper? To keep tabs on the enemy.
PROUSTIAN TITBIT
I would sleep wrapped up, as it were, in a great cloak of snug and savoury air, shot with the glow of logs which would break out again in flame in a sort of alcove without walls, a cave of warmth dug out of the heart of the room itself, a zone of heat whose boundaries were constantly shifting and altering in temperature as gusts of air ran across them to strike freshly upon my face…
Tuesday, 5 August 2014
The pain of acknowledgement
World War One still chokes me. As I get older, the sensation intensifies. All those deaths - accepted and borne for so long.
Television, the home of shallow reaction, last night faced an un-televisable event - a national enactment of Lord Grey's comment at the beginning of the war: lamps going out all over Europe. Television depends on light and needed to communicate its own brief extinction. How do you depict the dark?
I recalled a Guardian reporter who had sat in a café in Mons in Belgium, watching the world go by, chatting to customers. For decades Belgium has been the butt of jokes about the country's presumed unimportance. Yet Belgians, some of them great grandchildren to the WW1 generation, said the same thing: they would never forget the sacrifices made by British troops (later other nationalities) in coming to Belgium's help a hundred years ago.
One café customer was Belgium's prime minister. On his own, chatting, reflecting.
I am no monarchist yet two smallish details stand out. The Queen took no part in the Westminster Abbey event, preferring to meditate in (I think) a small Scottish church. A rare occasion when non-participation proved to be the greater tribute
Prince Harry read out a letter from Pte Michael Lennon sent to his brother Frank in 1915. Harsh bare words about the likelihood of death; gruffly pushing this idea to one side. Inevitably Michael Lennon died two days later at Gallipoli.
As I said, the sensation is one of being choked. As if old events were reaching out, determined I should share some of the pain. And so I should.
Television, the home of shallow reaction, last night faced an un-televisable event - a national enactment of Lord Grey's comment at the beginning of the war: lamps going out all over Europe. Television depends on light and needed to communicate its own brief extinction. How do you depict the dark?
I recalled a Guardian reporter who had sat in a café in Mons in Belgium, watching the world go by, chatting to customers. For decades Belgium has been the butt of jokes about the country's presumed unimportance. Yet Belgians, some of them great grandchildren to the WW1 generation, said the same thing: they would never forget the sacrifices made by British troops (later other nationalities) in coming to Belgium's help a hundred years ago.
One café customer was Belgium's prime minister. On his own, chatting, reflecting.
I am no monarchist yet two smallish details stand out. The Queen took no part in the Westminster Abbey event, preferring to meditate in (I think) a small Scottish church. A rare occasion when non-participation proved to be the greater tribute
Prince Harry read out a letter from Pte Michael Lennon sent to his brother Frank in 1915. Harsh bare words about the likelihood of death; gruffly pushing this idea to one side. Inevitably Michael Lennon died two days later at Gallipoli.
As I said, the sensation is one of being choked. As if old events were reaching out, determined I should share some of the pain. And so I should.
Saturday, 2 August 2014
Touché? I prefer flabby
The Royal Air Force, with which I (unwillingly) served for 62,899,200 seconds, didn't care what I did with my mind, didn't acknowledge I had one. But it did encourage me to consider my body. To buff my biceps.
You can see why. Seeking the bubble reputation, even in the canon's mouth (quote), it’s better to be fit than flabby. To ensure a battlefield strewn with comely corpses the RAF provided "facilities".
Most lacked attraction. Weights? Pure drudgery. Medicine balls? Badly named. Pommel horses? I suspect quadrupeds.
Fencing foils were different. In an armed service aiming to kill from above, a sword seemed ironic. Only a dagger brought you closer to your victim. I recalled Gene Kelly slashing his way through The Three Musketeers.
Within ten minutes I'd lost all interest. The initial steps in fencing are wearisome. Form your feet into a T then shuffle forwards. Then shuffle back. Do this for some time. And again. Was there more? I'll never know. Parenthetically, parallel bars proved no better.
Gene Kelly shuffling! Nah. I don't favour bombs but in my opinion swords will never make a warfaring comeback.
JOE’S NUDGE
I like good poems. Those that teeter amuse me too:
From the Gallows Hill to the Tineton Copse
There were ten ploughed fields, like ten full-stops,
All wet red clay, where a horse’s foot
Would be swathed, feet thick, like an ash-tree root
Reasons why. But does it teeter? You’d pay good money for “ten full-stops”. And the hammered-home reality of lines three and four satisfies because it’s sustained. Could you beat “swathed”? Or the foot/feet conceit? Or the vigorously worked rhyming? OK, so you don’t like fox-hunting.
John Masefield
You can see why. Seeking the bubble reputation, even in the canon's mouth (quote), it’s better to be fit than flabby. To ensure a battlefield strewn with comely corpses the RAF provided "facilities".
Most lacked attraction. Weights? Pure drudgery. Medicine balls? Badly named. Pommel horses? I suspect quadrupeds.
Fencing foils were different. In an armed service aiming to kill from above, a sword seemed ironic. Only a dagger brought you closer to your victim. I recalled Gene Kelly slashing his way through The Three Musketeers.
Within ten minutes I'd lost all interest. The initial steps in fencing are wearisome. Form your feet into a T then shuffle forwards. Then shuffle back. Do this for some time. And again. Was there more? I'll never know. Parenthetically, parallel bars proved no better.
Gene Kelly shuffling! Nah. I don't favour bombs but in my opinion swords will never make a warfaring comeback.
JOE’S NUDGE
I like good poems. Those that teeter amuse me too:
From the Gallows Hill to the Tineton Copse
There were ten ploughed fields, like ten full-stops,
All wet red clay, where a horse’s foot
Would be swathed, feet thick, like an ash-tree root
Reasons why. But does it teeter? You’d pay good money for “ten full-stops”. And the hammered-home reality of lines three and four satisfies because it’s sustained. Could you beat “swathed”? Or the foot/feet conceit? Or the vigorously worked rhyming? OK, so you don’t like fox-hunting.
John Masefield
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