I spent five hours yesterday utterly harassed, upgrading VR's laptop from Windows 8 to 8.1. The process is automatic but as time ticked by the more I agonised, fearing it would all go wrong (automatically!) and I'd have to start again.
After that, I needed a very special diversion to bring me back to normal. An entertainment with wit, persuasion, beauty and sex. What other than my third favourite Shakespeare play?
In As You Like It Orlando and Rosalind love each other. Both go separately to the forest where Rosalind dresses as a young man. Orlando attaches doggerel professions of love to the trees. They meet. Rosalind compels Orlando to pretend that he/she is not a man but Rosalind and to address him/her as such. Orlando, so much in love, does that.
It sounds artificial but it becomes real. It sounds as if there will be homosexual byplay but not so. Magically the couple’s developing love transcends man vs. man as Orlando imagines the young fellow before him to be Rosalind, and Rosalind is bathed in delight by his ability to do so.
Tears streamed from behind the glasses I am now required to wear.
Magically, too, Rosalind was played by Helen Mirren thirty years ago and she contrived to be man and woman simultaneously. Thank you Microsoft for preparing the ground.
PS: Dinner was based on a £10 free-range chicken marked down to a fiver. Plus a bottle of rioja with a strangely uninformative label - often the sign of a great vineyard anonymously offering stuff they believe to be just below the highest standard. Chicken and wine terrific. Just occasionally I am transported.
● Lady Percy moves me - might she move you? CLICK TO FIND OUT
● Plus my novels, stories, verse, vulgar interests, apologies, and singing.
● Most posts are 300 words. I respond to all comments/re-comments.
● See Tone Deaf in New blogger.
● Plus my novels, stories, verse, vulgar interests, apologies, and singing.
● Most posts are 300 words. I respond to all comments/re-comments.
● See Tone Deaf in New blogger.
Sunday, 7 September 2014
Friday, 5 September 2014
There's lint in your belly button
It was Joe, typically unselfish, who urged me to add Writing Novels to my blog profile. How come I never did that before? I thought. It presents me as a smarty-boots (or clever-clogs), sets me apart
And encourages self-hypnosis.
All writing is self-indulgent but novels are pernicious. They go on and on. Because novel-writing is so private the author becomes his own judge and jury, convinced he's doing something significant. Whereas, since few novels are commercially published, the author should accept there'll only be one real reader - that incestuous figure staring madly into the computer screen. Himself.
And it doesn't end there. From the outside there's no more boring figure. A plumber installs a bath (tub - US), a farmer ploughs a field - work that can be measured by anyone. A novel-writer writes a sentence, finds it irritates him, writes a replacement, remains uneasy. A sequence known only to him and, let's face it, hardly worth mentioning.
Why this introspection? Recently I sent one novel off to the publisher and started revising another. I became ecstatic, the later novel was better than I remembered and two problems I'd dreaded were easily fixed. But remember, that's just my deluded opinion.
If this post was triggered by ecstasy, imagine one born out of despair.
PASTA PERCEPTION I knew orecchiette pasta (little ears) and fusilli (twists) but only recently discovered gigli (lilies). Discounting whole-wheat pasta which digests like scrap iron, and the other variety said to involve eggs, I assume the basic material doesn’t vary. That these shapes are merely visual titillation. Yet spaghetti does taste different, perhaps because it’s so thin very little sauce (and no meat) adheres to the strands. Do you have a pasta rationale? Will it withstand intellectual scrutiny?
And encourages self-hypnosis.
All writing is self-indulgent but novels are pernicious. They go on and on. Because novel-writing is so private the author becomes his own judge and jury, convinced he's doing something significant. Whereas, since few novels are commercially published, the author should accept there'll only be one real reader - that incestuous figure staring madly into the computer screen. Himself.
And it doesn't end there. From the outside there's no more boring figure. A plumber installs a bath (tub - US), a farmer ploughs a field - work that can be measured by anyone. A novel-writer writes a sentence, finds it irritates him, writes a replacement, remains uneasy. A sequence known only to him and, let's face it, hardly worth mentioning.
Why this introspection? Recently I sent one novel off to the publisher and started revising another. I became ecstatic, the later novel was better than I remembered and two problems I'd dreaded were easily fixed. But remember, that's just my deluded opinion.
If this post was triggered by ecstasy, imagine one born out of despair.
PASTA PERCEPTION I knew orecchiette pasta (little ears) and fusilli (twists) but only recently discovered gigli (lilies). Discounting whole-wheat pasta which digests like scrap iron, and the other variety said to involve eggs, I assume the basic material doesn’t vary. That these shapes are merely visual titillation. Yet spaghetti does taste different, perhaps because it’s so thin very little sauce (and no meat) adheres to the strands. Do you have a pasta rationale? Will it withstand intellectual scrutiny?
Wednesday, 3 September 2014
Age's spectre - not all that bad
People fall in love: become ecstatic, transformed, generous not mean, more perceptive, etc. You know the drill.
Few look ahead and I sympathise. What could a sarky old bastard like me, married for 54 years, bring to a lover’s elevated state? Nothing at all; in my case even less. I've just despatched my novel in which a male protagonist, inevitably a Brit, cautions the heroine, inevitably a Yank, against "big" words like love. And gives reasons.
At our age (VR is two years younger) we see a relationship that has passed through many stages, some we would hate to repeat. What exists now (and I would never presume on that dangerous four-letter word) is often expressed in unheralded acts.
Last night we had kefta: small meat balls in a chili-based tomato sauce on rice. It’s rare because VR hates making those little balls.
I said:"unheralded". I said: last night we had kefta.
Overturning that literary climacteric, dessert was vanilla ice cream with raisins soaked in dark rum. Intense bitterness uniquely mitigated. VR refuses to give it a name. She's irritating that way.
PROUST PERCEIVED My novel’s at the publisher; I can resume reading the wordy master of the Boulevard Haussmann.
And meanwhile Francoise would be turning on the spit one of those chickens such as she alone knew how to roast, chickens which have wafted far abroad from Combray the sweet savour of her merits, and which, while she was serving them to us at the table, would make the kindness predominate for the moment in my private conception of her character… the aroma… so unctuous and so tender… seeming to me no more than the proper perfume of one of her many virtues
Few look ahead and I sympathise. What could a sarky old bastard like me, married for 54 years, bring to a lover’s elevated state? Nothing at all; in my case even less. I've just despatched my novel in which a male protagonist, inevitably a Brit, cautions the heroine, inevitably a Yank, against "big" words like love. And gives reasons.
At our age (VR is two years younger) we see a relationship that has passed through many stages, some we would hate to repeat. What exists now (and I would never presume on that dangerous four-letter word) is often expressed in unheralded acts.
Last night we had kefta: small meat balls in a chili-based tomato sauce on rice. It’s rare because VR hates making those little balls.
I said:"unheralded". I said: last night we had kefta.
Overturning that literary climacteric, dessert was vanilla ice cream with raisins soaked in dark rum. Intense bitterness uniquely mitigated. VR refuses to give it a name. She's irritating that way.
PROUST PERCEIVED My novel’s at the publisher; I can resume reading the wordy master of the Boulevard Haussmann.
And meanwhile Francoise would be turning on the spit one of those chickens such as she alone knew how to roast, chickens which have wafted far abroad from Combray the sweet savour of her merits, and which, while she was serving them to us at the table, would make the kindness predominate for the moment in my private conception of her character… the aroma… so unctuous and so tender… seeming to me no more than the proper perfume of one of her many virtues
Sunday, 31 August 2014
Scroggie! Give him a knighthood
In The Guardian's series, Books That Have Changed My Life,
politico-literary cerebralists admit to being bowled over by The Rights Of Man,
Middlemarch, Das Kapital, The Second Sex, etc.
But who comes uninfluenced to such works? I believe these
readers' lives were already changing (intellectually) before they turned the
first page. That these books, often requiring much effort, were mere
confirmation.
And those are the honest ones. Others... well you gotta
believe they're flaunting.
I can afford not to flaunt. I arrived at National Service in
the RAF knowing, quite frankly, bugger-all. My schooling was a disaster and two
years in newspapers had taught me to type and to write shorter sentences. The
RAF said I had the capacity to maintain and repair their radio equipment. Eight
months of training from the structure of the atom to the tripes of the radio
altimeter. Thereafter I took on technical journalism (especially in the USA)
that would previously have been beyond me. Later still I started to love science.
Step forward Foundations Of Wireless And Electronics by
Marcus Graham Scroggie - a genuine life changer.
JOE’S NUDGE
Hey, poetry needn’t always be solemn and profound. It can be
fun, so long as it has something to say. This limerick’s complete:
I wish I weren’t doing Divvers
It honestly gives me the shivers,
I don’t know the facts
Of the Gospels and Acts
And tomorrow they’ll drag all the rivers.
It honestly gives me the shivers,
I don’t know the facts
Of the Gospels and Acts
And tomorrow they’ll drag all the rivers.
Reasons why. It benefits that the delinquent student is doing
a serious subject, divinity (Divvers) – otherwise
theology. But what about the punchline? An effortless bit of compression and an
exhilarating leap forward. Good wordsmithing.
Anon
Tuesday, 26 August 2014
Birthday story
Twin Olive Groves
Short story 996 words
Rewritten: July 6, 2015
(Several years ago. South-east London. Party to celebrate long-standing journalist friend's sixtieth.
RR: I cannot get my mind round the Christian concept of heaven.
Devout RC friend, father of five (six?) children: We cannot know the mind of God.)
TWIN OLIVE GROVES
A SWANSDOWN pillow now supported his head just as his mother’s blue-veined breast had once cushioned his baby mouth. Two known sensations; he could switch from one to the other and back again, rearranging time and space to suit his moods and needs. Once it had seemed remarkable, now merely useful.
A SWANSDOWN pillow now supported his head just as his mother’s blue-veined breast had once cushioned his baby mouth. Two known sensations; he could switch from one to the other and back again, rearranging time and space to suit his moods and needs. Once it had seemed remarkable, now merely useful.
Through
the window, clouds, roof tiles, pathways and olive branches combined as an
orchestra to bring forth the rolling allegro of an unknown Bruckner symphony.
Music of infinite length, rich in texture, clotted with intellect, slowly
fervent - bidding him now to pray.
“My
grateful thanks, Oh Lord”
Rising,
showering, he put on his worn dressing gown and stepped out into the light. A raised
patio, with marble table, overlooked an olive grove stretching down to the sea with
scents live in the air: coffee from Yucatan, sharp yet earthy toast. Leaning over
the carved wall he glimpsed Suky’s auburn head, in and out of the olive leaves,
her camera catching the light as it moved in for close-ups.
Olive
groves behind her, Suky stood at the shore, her bare feet flickering among the
wavelets, looking out to sea, the sun catching the back of her auburn head, her
thoughts absorbed with his thoughts as his were with hers. A universe of two,
the prayer issuing forth unbidden:
“All
praise to beauty taking flight as intelligence.”
SUKY
sat across the table, eyes huge yet fond. “The movie was sensualist, about
earthly pleasure. Also a hymn of gratitude for the physical qualities we’d both
been given. He moving gracefully, running, catching and striking the ball –
innocent dynamic delights; I his womanly counterpart without whom he was
incomplete.” She smiled. “Sheesh I looked good. Forget feminism. Imagine us as
figures on a Greek vase.”
“And
in your most famous movie. Affection turned into something else, perhaps
forbidden.”
Suky
laughed aloud. “Everyone admitted G was beautiful. Hopeless sinners the pair of
us. Yes, I felt for G but we remained cinematically chaste. Besides which I had my own views.”
He raised an eyebrow and she said quietly, “My
thoughts were elsewhere.”
When
her finger touched his lips the prayer had no words, only an unshaped grace.
The
warmth from what she’d said was tangible and he revelled in it. Did this for a
full hour, compressed into ten seconds for her sake. To retain her company.
“Today
I’ve decided; I will do the journey,” he said. “But for the right reasons.”
Her
smile faded. “You know I can’t help. Can’t even comment. I’m here because you
want me here. Not as I am in reality but in this compatible form. Stripped of all
the things that would clash with what you want.”
“Does
that horrify you?”
“Never
in this world. The price I pay for your impartial and distant affection. A very
fair price.”
AT THE end of the journey the room was a replica of his own but
repellent. A bare lamp-bulb, a full pot-de-chambre beneath the bed. The
swansdown pillow sodden with sweat from a tortured night. A mother, their
mother, having promised one or the other a good-night kiss had never appeared.
The child, now adult, sat on the edge of the bed guessing at what the pot-de-chambre
could still take.
The adult, now older, moved like
a threat: swaying belly, bald head, varicose calves and a yellow-headed boil
above the collar. Tormented by orchestral Bruckner and yearning for Motorcycle
Emptiness, sung – the curse of knowing everything – by Manic Street Preachers.
Older still, victim of a raging
thirst and a stomach aching with artificial hunger from drinking hard liquor
too far into the night.
For here was the problem. One
made the journey – a hard journey – out of duty and obligation. Perhaps out of
guilt. In order to understand oneself and to lay down sympathy. But suppose
neither understanding nor sympathy occurred. Suppose the object of the journey
was simply too wretched, too sickening. A failed journey? With no visible
solution?
Save prayer. Slogging, repetitive,
humdrum devotions with not a shred of poetry. Starting with. “Lord help me…”
AN
AUBURN-headed woman resembling Suky walked impatiently up through the grove
towards the patio. Nearer and her face shrank into bitterness. “The camera
no longer works.” His head drooped, then rested on the marble table.
“Lord!” he cried. “Lord!”
When he looked up the suffering
self - belly, calves and boil - lay across the table, asleep.
“Thank you, Lord.” He had never
felt more grateful.
In the aisle of trees that led to
the shore Suky – his Suky – waited.
He said, “There was a later
movie, not very good. Someone helps you die. A plastic bag… Watching earlier,
when I’d made the journey, I felt that same desolation. Yet I’m beyond
desolation. Am I not?”
Her wonderful intelligent face
sorrowed. “I’m not allowed even to guess.”
He looked back. At this distance
the racked body, supported by the table, looked almost tranquil. Even though he
knew this to be a meaningless pause, engineered for temporary comfort.
“I could pray for you,” he said.
Suky smiled wanly. “You could.”
“Could I pray for the
impossible?”
“It’s not against the rules.”
“Don’t die.”
Her smile had a touch of the
mischief that was her acting trade-mark. The single most identifiable detail of
her face. “I’ll try not to,” she said with all the sympathy he had earlier failed
to generate. “But elsewhere I’m older than what you see here. Closer to death.”
“I had a friend who said all this
- ” He gestured at the olive grove and the distant sea. “ – would turn into
oblivion.”
She nodded. “That’s been my
expectation.”
“It should be your hope. Our
hope.”
“An
end to suffering. A beneficial void.”
The
Bruckner embarked on a slow infinite diminuendo.
Monday, 25 August 2014
Flying higher
NOTE: To make sense of this e-mail, sent to the owners of the snack-grill les Tilleuls, it's probably better to read the previous post, Flying high. Or, if you wish, ignore the whole boiling
Sylvie et Gérard,
Merci pour votre carte postale – un bon souvenir de notre dernière visite (la troisième) aux Tilleuls.
Mais attendez. Mon anniversaire est maintenant tres proche et ma famille a organisé, hier, un repas qui a joué le meme role que votre carte a joué. Si vous cliquez ici:
http://ldptonedeaf.blogspot.co.uk/2014/08/flying-high.html
vous reconnaiterez les ressemblances.
Vous avez cliqué? Et vous etes, je crois, tout horrifiés. Qu’est que c’est ca? Ce titre abominable? Des mouches…? Un mot péjorative. C’est une insulte! Notre snack-grill est entièrement propre.
Mais chers amis, il faut d’abord expliquer des choses.
Imaginez un villa à St-Jean-de-la-Blaquière, il y a cinq années. Occasional Speeder (OS – elle-qui-franchit-de-temps-en-temps- la-limite-maximum-de-la-vitesse-routière) parle avec RR, son père, au sujet du prochain déjeuner.
OS: L’année dernière on a déjeuné à ce restaurant à coté de la route nord de Lodève, direction Ganges. Un bon café.
RR: J’en ai oublié.
OS: Tu doit te souvenir de ce snack-grill. Toute en jaune.
RR: Non.
OS: Une établissement sans toit. Des arbres… une odeur piquante… des mouches. Jaune. Toute en jaune.
RR: Ah, tu parle sur le snack-grill les Tilleuls, Mais il n’y avait pas de mouche.
OS: Peut-etre oui, peut-etre non. Mais ce mot commencant T majuscule, c’est trop-difficile pour moi. Pour la plupart des Anglais. J’ai vu l’un ou deux mouches –
RR: Evidemment. C’est un restaurant en pleine air. Je suis sur que tu as aussi vu des chiens, des chats et aussi des corbeaux.
OS: Ecoutes, mon vieux père. Le nom anglais, fly, c’est un mot court, n’est ce pas?
RR: Bien sur.
OS: Facile à comprendre. Facile à dire. Plus facile à prononcer que les Tilleuls. A propos, qu-est ce que cela, tilleul?
RR: Une sorte de thé.
OS: Et tu ne boit jamais le thé. Ecoute. Quand je parle de Fly Restaurant, tout le mond va me comprendre.
RR (dubatif): Tout the monde de notre famille.
OS (en colère); Pense sur le mouton, idiot.
RR (salivant): Tu as raison. Fly Restaurant, c’est un bon titre.
OS: Et demain?
RR: On va déjeuner à Fly Restaurant. C’est l’endroit de la bonne cuisine. Et du bon mouton.
Votre client fidèle
Roderick Robinson
FOR THE ANGLOS: Yeah, yeah. The French is primitive, non-idiomatic and probably ungrammatical. Once it would have been better but old age has got me by the lapels. A faint gesture back to the past, if you like.
Sunday, 24 August 2014
Flying high
Forget the reason. It's just a day, prefigured by two people going to bed in November 1934 and, as sad epilogue, getting divorced about fifteen years later.
If you feel like responding please celebrate the inventiveness and hard work of my immediate family (and a partner) who combined and turned the day - yet to happen, if the truth be known - into something unique.
It was Daniel, grand-daughter Bella's partner who had the original idea. "Let's re-create the Fly Restaurant," he said. The official name of the Fly Restaurant is Snack-Grill les Tilleuls, close to the wild and wonderful cliffs of Cirque de Navacelles, about 50 km north-east of Montpellier in southern France. More on this establishment will appear in the following post which - for self-evident reasons - will be in French.
FR cuisine is predominantly barbecue, cooked on one of those giant cheminées the French favour. Hence the cake. The colours of the table napkins and place mats, visible in the photo taken by Occasional Speeder during our last visit, were faithfully reproduced. Flies made of plastic dotted the groaning board.
Much thought went into duplicating what the FR offers (especially the mutton chops) and to devising a menu - subsequently laminated - which looked authentic. Bella swears the typeface is an exact replica. The only omission is an octopus dish which none of us has ever ordered. If the translation of the snack-grill's name is a bit ropy, I for one don't mind.
No one patronises the FR because of the wine cellar and my normal tipple is a can of Heineken, ordered faute de mieux. Chez Robinson, we did rather better.
I find it hard to acknowledge I deserved this which no doubt sounds like mock-modesty but it isn't. A moving occasion.
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